Maximum realism, minimal intervention

		Some believe recording classical music implies filling the stage with microphones and mixing for endless hours until it seems to sound real. We believe in a different approach: recording the interaction of live music with real space results in a more convincing and emotional experience, and can be done in a minimalistic way.
We use a novel recording techinque called OVJ which can be deployed on a single stand, along with highly portable recording equipment and some experience to deliver high-quality results quickly and at very reasonable pricing points.
		We do this by combining the Jecklin effect, multi-capsule Rode / Soundfield, Schoeps and Earthworks microphones, 32-bit and up to 192 kHz recording with specialized software from Audio Brewers which allows extensive "focusing" in the mix. Thus, we can deliver high-pedigree results in Ambisonics, ASAF/APAC, Atmos, Eclipsa and hyperrealistic stereo.

A preliminary (stereo) result: