Has worked as a sound engineer in music and film production, streaming, mashups, content management, and web strategy.
Produced the first live streaming broadcasts in Chile for Radio El Conquistador and Canal 13 as part of Interaccess, a company that later became part of IFX Networks. Also produced the first online broadcast of the Viña del Mar Festival, with Interaccess and the Chilean news media consortium (Copesa).
Later, managed Copesa's web infrastructure, overseeing websites for Radio Zero, La Tercera, La Hora, Qué Pasa magazine, and others. There, he participated in the web edition of El Libro Negro de la Justicia Chilena (The Black Book of Chilean Justice), making it available online despite censorship.
Was part of the US-based record label Petroglyph Records, where he undertook projects with musicians such as Antonio Restucci, Bombyx Mori, Carlos Aguirre, Emilio García, Marcelo Aedo, and Muza/Sol Aravena.
Notable credits in sound and phonographic production: Osvaldo Rodríguez live (Café del Cerro 1990, Alerce CDA 0438), Francesca Ancarola / Lonquén (tribute to Víctor Jara, Petrohlyph Records 2005, winner of premio Altazor 2007), Piloto Pardo, Lágrimas de Hombre (Alejandro Kemp/Soto).
Worked for several years as a professor in the sound technology and engineering programs at the Arcos Institute. He has also taught content management and given related lectures at Diego Portales University and other institutions.
Was involved in Testigo en Línea, OSINT project carried out by the Fundación Datos Protegidos with the Human Rights Research Laboratory at the University of California, Berkeley, which helped to clarify crimes perpetrated by the State of Chile during the social uprising that began in October 2019.
Currently works as a consultant at Globalsat Group, advising on mobile satellite services for mission-critical institutions, essential services, infrastructure, and media, and simultaneously offers recording services.